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Griots
What is a Griot?
Griots are historians, praise-singers and musical entertainers. And yet, none of these descriptions quite captures their unique status in Manding society.
[Video and Audio Clips to be added]
![[photo of Alhaji Papa Susso]](/aoi/images/susso.jpg)
Alhaji Papa Susso is a master kora player, traditional musician, and oral historian. He directs his own cultural organization, the Manding Music and Dance Limited, and also performs with symphony orchestras around the world. He is a premier performer in the orchestral piece, "African Portraits" by Hannibal Lokumbe.
In the time of Sundiata, griots tutored
princes and gave council to kings. They were educated and wise,
and they used their detailed knowledge of history to shed light
on present-day dilemmas. Long after the fall of the Malian Empire
in 1468, a Manding family of means would have their own griot
to advise them and help them negotiate matters with other families.
Griots arranged the terms of marriages and mediated disputes,
always relying on their understanding of each family's history.
Somewhere along the line, griots, or jelis as they are
known among the Manding, also became the official musicians of
the society. The balafon, which figures prominently in
the Sundiata story, is a wooden xylophone and probably the original
jeli instrument. But now, jelis also play the ngoni, a
small traditional lute, and the kora, a 21-string cross
between a harp and a lute. Jelis also sing in loud, proud voices
full of the grandeur of their history. There are male griot singers,
but the great majority of these beloved and respected vocalists
are women.
The griot's ancient art, jeliya, is still practiced today,
though some say it has declined under the pressures of modern,
commercial society. These days, Manding families generally cannot
afford their own private griot, so the musicians move from family
to family, performing at weddings and baptisms, entertaining and
praising the guests. Critics claim that this way of working forces
griots to know a little bit of everybody's history, but prevents
them from knowing all the rich detail that their ancestors had
to master.
Perhaps jeliya has changed, but it remains enormously popular.
Some of the most celebrated pop music stars of Mali, Guinea, Senegal
and the Gambia are griots, who have transformed traditional compositions
to create modern, electric music. In Mali, female griot singing
stars include Ami Koita, Kandia Kouyaté, and Tata Bambo
Kouyaté, all of whom have released many volumes of cassettes
on the local market. Guinea's Mory Kanté has built an international
career on his driving, Paris-produced dance tracks, but the music
remains firmly rooted in his griot past.

Perhaps West Africa's most celebrated pop star around the world, Salif Keita of Mali,
does not have griot ancestry. Indeed, as the name Keita indicates,
he is a noble descendent of Sundiata Keita, the first king of
the Malian Empire. But Salif nevertheless draws heavily from griot
tradition in his music.
One need only turn on the radio or the television, or go to a
music festival in one of these countries to experience the enduring
power of griots in West Africa. Better still, take a walk down
almost any residential street in the Malian capital of Bamako
on a Thursday or Sunday--traditional wedding days--and you'll
soon discover a street wedding in progress. You'll see a crowd
of smartly dressed men and women gathered in the dirt street around
a group of musicians playing through cranked up amplifiers. There
may be guitars, balafon or kora, or the small ngoni lute all weaving
a web of intricate melodies.
And before them, there will be a
female griot singer in a fabulous, embroidered gown, singing her
heart out. Guests will circulate before her, and when they hear
her praising them by name, they will give her money, as sure a
sign as any that the griot's art is still alive and well. If you
stick around long enough, you're bound to hear a version of the
griots' classic of classics, "Sundiata."
-- Banning Eyre/World Music Productions
About the Performers--Griots
About the Performance--Sundiata: Lion King of Mali
Historical Context
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