/tag-search

Tag Results for "Dance" See All Tags

151-219 of 219 Results:  
arts quote

Arts Quotes: Charles Baudelaire
"Dancing can reveal all the mystery that music conceals."
Dance, Europe, Literature, Poetry

arts quote

Arts Quotes: Mikhail Baryshnikov
"The essence of all art is to have pleasure in giving pleasure."
Dance Legends, Dance, Ballet

arts quote

Arts Quotes: W.H. Auden
"Dance till the stars come down from the rafters. Dance, Dance, Dance till you drop."
Dance, Literature, Poetry

arts quote

Arts Quotes: Fred Astaire
"I just dance. I just put my feet in the air and move them around."
Dance Legends, Physical Activity, Dance, Movies & Movie Stars

arts quote

Arts Quotes: Constanze
"Dancing is like dreaming with your feet."
Dance

arts quote

Arts Quotes: Martha Graham
"No artist is ahead of his time. He is his time. It is just that the others are behind the time."
Choreographers, Dance, Dance Legends, America

arts quote

Arts Quotes: Margot Fonteyn
"Genius is another word for magic, and the whole point of magic is that it is inexplicable."
Ballet, Dance, Dance Legends

arts quote

Arts Quotes: Martha Graham
"Dance is the hidden language of the soul."
America, Choreographers, Dance, Dance Legends

arts quote

Arts Quotes: Martha Graham
"Great dancers are not great because of their technique; they are great because of their passion."
America, Choreographers, Dance, Dance Legends

arts quote

Arts Quotes: Agnes De Mille
"The truest expression of a people is in its dances and its music. Bodies never lie."
Dance, Dance Legends, Choreographers

arts quote

Arts Quotes: Merce Cunningham
"The only way to do it is to do it."
Choreographers, Dance, Dance Legends

arts quote

Arts Quotes: Arlene Croce
"Good choreography fuses eye, ear, and mind."
Ballet, Choreographers, Dance, Dance Legends

arts quote

Arts Quotes: Ibrahim Farrah
"Dance is so important in the world. It needs no language. Our bodies speak a language of its own."
World Cultures, Dance, Dance Legends, Choreographers

arts quote

Arts Quotes: John Dryden
"Dancing is the poetry of the foot."
Europe, Literature, Dance

Jerome Robbins instructing

Arts Days: October 11, 1918: Where Broadway Meets Ballet
The man born Jerome Rabinowitz infused 20th-century choreography with a uniquely American flavor. The work he did for ballets like Fancy Free displayed his penchant for freely mixing elements of many different types of dance: jazz, ballet, modern, and folk.

That creativity was burnished by Robbins’ work on a string of legendary Broadway musicals, from West Side Story to Fiddler on the Roof and Gypsy. A 1981 Kennedy Center Honor recipient, Robbins balanced his theatrical projects with ballet choreography throughout his career. With his dancing feet planted firmly in both camps, it’s no surprise Robbins won Tony Awards®, Academy Awards®, and served as ballet master of the New York City Ballet in the 1970s.
Musicals, Ballet, Dance, Choreographers, Dance Legends, Innovators & Pioneers

Conway Twitty, Chubby Checker and Dick Clark doing

Arts Days: September 19, 1960: The Dance Craze Is On
Chubby Checker’s version of this song started a dance revolution. Kids everywhere were dancing the Twist’s signature moves: swiveling hips, stretching out arms, lifting one foot off the floor every now and then. Though the dance was considered fairly provocative, the song’s ascent drove the popularity of the Twist and made it mainstream.

Dance crazes were nothing new: for example, in the 15th century, noblemen and women went crazy for the minuet, while in the 1930s, everybody was doing the jitterbug. Basically, anytime people gather to dance, a new fad could be spawned. Think about that next time you’re dancing with your pals—maybe you will invent the next Mashed Potato or Moonwalk!
Choreographers, Rock & Roll, Popular Culture, Dance, Music

Star Search

Arts Days: September 17, 1983: Make Me a Star Tonight
Searching for tomorrow’s superstar singers and dancers? Before there was American Idol and So You Think You Can Dance, there was Star Search. Ordinary contestants sang, danced, and performed comedy skits on national TV, with judges and a studio audience voting for a winner.

Lots of artists who made it big competed on Star Search, including Christina Aguilera and Rosie O’Donnell. Interestingly, few of the actual winners are household names today. The original show ran until 1995. A new version launched in 2002, but lasted for only two years. American Idol, which also began in 2002, pretty much ate Star Search for lunch.
Art Venues, Comedy, Dance, Music, Popular Culture, Television, Young Artists

Agnes De Mille

Arts Days: September 18, 1905: Dance Queen of Broadway
Her father William and her uncle Cecil were both big-shot Hollywood directors, so perhaps it was genetic that Agnes de Mille sought a life in the arts. She studied piano, considered acting and took dance lessons, and choreographed big dance sequences for movies like Cleopatra and ballets including the sensational Rodeo (which received 22 curtain calls). Yet it was as a choreographer for the theatrical stage that de Mille really found her calling.

The dance routines she created were anything but routine. Musicals like Carousel, Gentlemen Prefer Blondes, and especially Oklahoma! revolutionized musical theater by the way de Mille incorporated her choreography right into the plot, further rounding out characters’ personalities, and blending folk dance with ballet.
Backstage, Broadway, Choreographers, Dance, Dance Legends, Musicals, Theater

Ed Sullivan

Arts Days: September 28, 1901: Talent Scout
Hard to believe but for more than three decades, Ed Sullivan's television variety show kept Americans entertained. Sullivan, a former sports reporter and radio announcer, became an emcee to vaudeville revues and charity events. Despite his famously wooden persona and uncomfortable on-camera appearance, Sullivan knew how to choose and showcase talent.

Until 1971, The Ed Sullivan Show provided a staging arena for entertainers of all stripes. Elvis made his hip-shaking debut in 1956; the Beatles’ 1964 appearances were some of television’s highest rated programs. The show was as likely to feature opera performances as it was rock and roll bands, and hosted many black performers, including Pearl Bailey, Diana Ross, and Louis Armstrong.
Art Venues, America, Television, Young Artists, Rock & Roll, Comedy, Dance, Theater, Music

The John F. Kennedy Center

Arts Days: September 08, 1971: America’s Home for the Arts
In 1958, President Eisenhower signed legislation to build a national cultural center in Washington, D.C. Yet in the wake of President Kennedy’s assassination in 1963, Congress decided that the center would be a “living memorial” to our 35th president, who had worked tirelessly to elevate the role of the arts in America.

Opening night saw the debut performance of Leonard Bernstein’s Mass, written in memory of the fallen president; other performers included the Alvin Ailey American Dance Theater and the Berkshire Boys Choir. Since that night, the Center has welcomed and entertained millions as the finest performers from around the globe have graced its multiple stages. In addition, its Education Department touches more than 11 million young people, teachers, and parents each year.
Architecture, Art Venues, Backstage, Ballet, Choreographers, Composers, Dance, Dance Legends, America, Innovators & Pioneers, Music, Music Legends, Musicals, Opera, Theater

Gene Kelly

Arts Days: August 23, 1912: Dancing Up a Storm
Dancer, actor, choreographer, boyishly handsome good guy—that was Gene Kelly, the fellow who bought a one-way ticket to New York City when he was a young man and soon landed a Broadway lead.

Kelly pushed for Hollywood to make more musicals and wound up dominating the musical revival in the 1940s and 50s. In timeless movies like Singin’ in the Rain and An American in Paris, Kelly’s elegant dancing stole the show.

He made it look so easy, yet his dancing demanded great strength, technical skill, and expression. In his choreography and in his performances, he melded everything from classical ballet to jazz to athletic prowess to tap dancing. And by the way, he could sing, too.
America, Choreographers, Dance, Dance Legends, Musicals, Movies & Movie Stars

Madonna

Arts Days: August 16, 1958: Lady Madonna
Madonna Louise Ciccone was born into a large Italian-American family with a strong Catholic faith. Yet she has said that her ethnic and religious roots fed her desire to rebel. Among other things, she dropped out of college to move to New York and dressed provocatively, often mixing religious icons with her revealing stage outfits.

In songs she wrote such as “Like a Prayer” and “Papa Don’t Preach,” Madonna pushed lyrical boundaries; and in her popular videos on MTV, she made polished, sometimes controversial mini-movies to go with her songs.

A string of dance-able hits and a charismatic personality, plus her chameleon-like ability to change her look and style from one record to the next, have made Madonna one of the world’s biggest pop stars.
America, Dance, Music, Popular Culture, Rock & Roll, Fashion

Sammy Davis, Jr.

Arts Days: December 08, 1925: The Ultimate Entertainer
Whether singing, acting, playing instruments, or tap-dancing, Sammy Davis, Jr. always performed with style and elegance. A Kennedy Center Honoree in 1987, Davis was just three years old when he made his vaudeville debut. In young adulthood, he played clubs, landed movie roles (including one in the original Ocean’s Eleven from 1960), starred on the Broadway stage, and even got his own TV program, The Sammy Davis Jr. Show.

Signed to Capitol, Reprise and several other record companies over the decades, Davis’ hit songs include “Mr. Bojangles” and “What Kind of Fool Am I.” His friendships with Frank Sinatra, Dean Martin, and other big stars of the day earned him a place in the Rat Pack, a crew of Hollywood hotshots who partied and performed together.
Movies & Movie Stars, Innovators & Pioneers, Music Legends, Music, Dance, Dance Legends

Pérez Prado

Arts Days: December 11, 1916: Mambo King
Of Mexican and Cuban heritage, Pérez Prado helped bring Latin music to whole new crowds of listeners around the globe. The “King of the Mambo” played piano and led bands throughout his career, including the Pérez Prado Orchestra—today led by his son, Perez Prado, Jr. in Mexico City. And, he wrote music for people to dance the mambo, better known today as salsa dancing.

Prado described his mambo as being “an Afro-Cuban rhythm with a dash of American swing.” Makes sense. Prado’s best-known pieces, like “Mambo No. 5” and “Mambo Jambo,” had American audiences dancing in the aisles of his concerts, which often sold out.
Composers, Innovators & Pioneers, Music Legends, Dance, Music, Latin America

Performers dancing to Berkeley’s choreography

Arts Days: November 29, 1895: Busby's Babes
Back in the 1930s, one young man's dream job was to choreograph the most attractive, scantily-clad chorus girls on Broadway and in Hollywood. Born William Berkeley Enos, this innovative dance director created visually-stunning spectacles for his audience, arranging dancers in elaborate geometric shapes, and taking inspiration from multi-pronged kaleidoscopes or snowflakes.

Sometimes, he’d position dancers to look like the spokes of a wheel, or a human waterfall. And then, he would film these spectacular routines with a mobile camera. Berkeley also shot close-ups of each pretty girl, making what he called a “parade of faces.” The Berkeley touch is clearly obvious in movies like 42nd Street and Broadway Serenade. And believe it or not, the man never took a single dance lesson in his entire life.
Broadway, Choreographers, Innovators & Pioneers, Dance Legends, Dance, Movies & Movie Stars

Jacques d’Amboise

Arts Days: July 28, 1934: Dancing for Joy
Few have done more to teach children about the joy of dance than this 1995 Kennedy Center Honoree.

D’Amboise was only 16 when he joined George Balanchine’s company, often partnered with Suzanne Farrell. As one of the earliest dancers and interpreters of Balanchine’s style, d’Amboise brought a powerful American energy to ballet.

When he was still a principal dancer of the New York City Ballet, Jacques d’Amboise founded the National Dance Institute, a program that teaches thousands of youngsters to dance and express themselves through ballet, jazz, and other forms of dance.
Europe, Dance, Dance Legends, Ballet, Choreographers

Rudolf Nureyev

Arts Days: March 17, 1938: Ballet's Rebel
Rudolf Nureyev was born on a train, setting the stage for a lifetime of perpetual movement, onstage and off. The premier male ballet dancer of his time, Nureyev began dancing to folk music as a child, attracting the attention of teachers who signed him to a local ballet troupe. He soon moved on to a major Russian ballet company, the Kirov, where he danced lead roles and got permission to leave the Soviet Union to dance in other cities like Vienna and Paris.

His dancing enchanted audiences, but his defection from the USSR in 1961 stunned the dance world. He soon signed with London’s Royal Ballet, the company he remained with until 1970. Nureyev’s creative partnerships with prima ballerinas like Margot Fonteyn are legendary; their pas de deux (“dance for two”) in Giselle and other ballets are exquisite examples of technical prowess and gorgeous artistry.
Ballet, Dance Legends, Dance, Controversial, Innovators & Pioneers

Nutcracker

Arts Days: March 19, 1892: A Winter Wonderland
The most popular ballet of all time is quite an international affair. Consider this: The story behind The Nutcracker was by a German writer, E.T.A. Hoffman. The music was written by a Russian composer, Pyotr Ilyich Tchaikovsky. And the dance steps of the version you are most likely to enjoy this Christmas were created by Frenchman Marius Petipa.

On this day, Tchaikovsky chose several pieces of his score to perform at an event offered by the St. Petersburg branch of the Musical Society. While the music was incredibly well-received, the version of the ballet we know and love today—filled with delicious dances from the Land of Sweets, performed by the Sugar Plum Fairy and dozens of others—did not emerge for another 60-odd years.

Enjoying the ballet’s fantastic sights—a sparkling Christmas tree shooting up into the rafters, the Nutcracker turning into a prince, and the Mouse King in battle—is a holiday ritual for many families around the world.
Ballet, Dance Legends, Dance, Music, Composers

Arthur Mitchell

Arts Days: March 27, 1934: Breaking Ballet’s Barriers
After learning to tap dance as a child, Arthur Mitchell wowed a teacher with his version of the jitterbug, a dance popular in the 1940s. Mitchell was encouraged to apply at New York’s High School of Performing Arts. After graduation, Mitchell went on to win a scholarship to the famed School of American Ballet, then to join the New York City Ballet. There, he was told he would have to work twice as hard as the white dancers to be accepted.

In 1957, he performed George Balanchine’s Agon to audiences shocked at the sight of a white woman paired with a black male dancer. Mr. Balanchine ignored the attention, and at 21, Mitchell became the first black male principal dancer of a major dance company and a Kennedy Center Honoree in 1993.
Ballet, Dance, Dance Legends, Innovators & Pioneers

Spotlight

Arts Days: March 16, 1912: Electrifying Art
It can be easy to overlook the role that lighting plays during a ballet or theatrical production, but you’d be surprised at how much a performance’s lighting design contributes to our enjoyment of it. From how well we are able to see the action to the emotions we feel as we watch, Jean Rosenthal helped make the position of lighting designer more important than it had been.

In her work lighting dance performances for Martha Graham and plays for Orson Welles, she not only used lights to illuminate the action for the audience, but to set the mood, advance the plot, or underscore the importance of certain characters. Nowadays, lighting designers work closely with the director and actors to figure out how to use light effectively before, during, and after a show. And, if you’ve seen a dancer or singer standing in a diagonal shaft of light during a big solo, you’re seeing a bit of Rosenthal’s influence at work.
Backstage, Dance, Innovators & Pioneers, Jobs in the Arts, Movies & Movie Stars, Theater

Vaslav Nijinsky

Arts Days: March 12, 1889: Lord of the Dance
One of the most talented ballet dancers the world has ever seen, Polish dancer Vaslav Nijinksy is forever associated with Russia and its exceptional heritage of ballet. Without question, Nijinsky could leap higher than anyone else and dance on the tips of his toes, a feat usually performed only by female dancers. Whether portraying a straw puppet in Petrushka or a charming prince in Sleeping Beauty, Nijinsky’s dancing was equally expressive and bold.

But Nijinsky’s career truly turned the corner when he met ballet producer Sergei Diaghilev. Diaghilev made Nijinsky one of the stars of his famous dance company, the Ballets Russes. Over the years, Nijinsky often performed in starring roles in Gisele, Scheherezade, and many other important ballets. Later in his career, he went on to choreograph his own ballets, breaking the rules about how ballet “should” be performed and greatly expanding modern dance as he did so.
Dance, Dance Legends, Controversial, Innovators & Pioneers

Saturday Night Fever

Arts Days: February 16, 1979: Disco Fever… Can You Dig It?
Who’d have thought that a movie about a Brooklyn kid in a white suit trying to win dance contests would kick off a disco phenomenon? Well, actor John Travolta boogied down as 19-year-old Tony Manero in this classic movie, whose music—about half of which was performed by the Bee Gees, a trio of brothers from Down Under—swept the nation in 1979, and never really went away.

In songs like “Jive Talkin’” and “You Should Be Dancing,” the Brothers Gibb (get it? B-Gs) exhorted listeners to forget their day-to-day troubles to the flashing lights and thumping tunes of discothèques, which were springing up all over New York City and other urban centers.
Innovators & Pioneers, Popular Culture, Dance, Music, Movies & Movie Stars

King David Kalakaua

Arts Days: February 12, 1874: The King of Aloha
Before Hawaii became America’s 50th state, it was a monarchy ruled by King David Kalakaua I. Kalakaua is credited with helping to revive and support Hawaiian art forms like hula dancing; instruments like the ukelele; and martial arts, like Lua.

You see, some religious missionaries on the Islands thought these activities were improper. They had spent years before Kalakaua was elected to the throne trying to suppress various elements of Hawaiian culture, including its languages and art customs—even surfing!

But Kalakaua believed that these traditions and activities were important for native Hawaiians to learn, enjoy, and share with others to help keep Hawaii’s unique cultural history alive.  For his efforts, he was nicknamed “the Merrie Monarch.”
Dance, America, Geography, History, Musical Instruments, Music, Folklore, World Cultures

Johann Strauss II

Arts Days: February 09, 1867: Step, Slide, Step
Austria’s Johann Strauss, the Younger, would be absolutely amazed to know the extent to which his work “On the Beautiful Blue Danube” has endured as one of the best-known pieces of classical music.

At the time this 19th century successful composer and conductor, and son of Johann Strauss, The Elder, was known for his light dance music and operettas. But it was this waltz in particular, with its distinct melody and dance rhythms, that became the focus of every concert hall’s dance floor first in Vienna, and later in Europe.

In 1872, Strauss brought his Viennese waltz to America’s shores where the music and dance captivated the country. On this particular day, Blue Danube was performed at a concert of the Vienna Men’s Choral Association.

Strauss is credited with composing 500 waltzes, earning him the title of “Waltz King.”
Composers, Dance, Music, Orchestra, Europe

George Balanchine

Arts Days: January 22, 1904: A Ballet Master is Born
George Balanchine was one of the most prolific, and often considered the most influential, ballet choreographers of the 20th century. Born on this day in Saint Petersburg, Russia, he revolutionized classical ballet by eliminating complex plots and emphasizing movements that expressed music.

Balanchine created more than 400 ballets and founded the New York City Ballet. His artistry and fresh approach helped popularize ballet in the United States. Balanchine worked with thousands of dancers and created more than 400 ballets.
Choreographers, Dance Legends, Ballet, Dance

Anna Pavlova

Arts Days: January 31, 1881: Turning Pointe in Ballet
After attending the classic ballet The Sleeping Beauty as a little girl, Anna Pavlova wanted nothing more than to be a ballerina.

At age ten, she was accepted to study at the renowned Imperial Ballet School in Saint Petersburg, Russia. For years, she struggled in training, finding basic ballet techniques difficult due to her arched feet and thin ankles—body parts ballet dancers rely on for balance and grace.

Nevertheless, Pavlova was determined to fulfill her dream, and so she enrolled in extra classes and practiced every day. Her hard work paid off, and when she graduated, she was invited to join the Imperial Ballet Company.

She is also credited for the design of the modern pointe shoe. To ease the stress on her curved feet, Pavlova strengthened her ballet slippers by adding a piece of hard wood on the soles for support and curving the box of the shoes to fit her arches.
Inventions, Dance Legends, Innovators & Pioneers, Ballet, Dance

Mikhail Baryshnikov

Arts Days: January 28, 1948: Ballet’s Leading Man
Mikhail Baryshnikov is often considered one of the greatest ballet dancers of the 20th century, known for his dynamic stage presence and effortless grasp of classical technique.

In 1974, after professional training and a promising start at the Kirov Ballet in Leningrad, he defected from the Soviet Union to seek artistic and personal freedom in the West. Baryshnikov made his Western debut with the American Ballet Theatre (ABT) that same year, dancing in the classic ballet Giselle.

He stayed with ABT for four years before moving to the New York City Ballet, where he worked with choreographers George Balanchine and Jerome Robbins. He returned to ABT in 1980 as principal dancer and artistic director, distinguished positions he held for almost a decade.

Since then, Baryshnikov has dabbled in acting in both film and television. In 2000, he was a Kennedy Center honoree.
Dance Legends, Ballet, Dance

Alvin Ailey

Arts Days: January 05, 1931: A Dance Revelation
Alvin Ailey hadn't become serious about dance until he studied under the guidance of renowned choreographer Lester Horton.

By 1954, after years of professional dancing, Ailey's interests turned to choreography. Strongly influenced by "blood memories," or recollections of his childhood in a time of strong racial tensions and conflict, Ailey created 79 ballets in his lifetime that celebrate the southern African American experience in America.

In 1958 he formed his own company, the Alvin Ailey American Dance Theater, the first racially integrated dance company in the United States. Alvin Ailey was a 1988 Kennedy Center Honoree.
Choreographers, Dance Legends, Innovators & Pioneers, Dance

Igor Stravinsky

Arts Days: June 17, 1882: Blazing Music's Trail
One of the greatest composers and conductors of 20th century music, Igor Stravinsky was urged by his parents to become a lawyer. But he was bitten by the musical bug as a child, attending concerts, learning to play piano, and most importantly, studying orchestration with his influential teacher, composer Nikolay Rimsky-Korsakov.

At just 18, Stravinsky was hired to compose a score for the Ballets Russes. The Firebird, which met with critical and commercial success, was followed by more ballet scores, including Petrushka. His score for another ballet, The Rite of Spring, startled and even outraged listeners at its world premiere with its creative experimentation of chords and rhythms.

Stravinsky drew on Russian folk tunes in his works, but added elements that were completely his own, from new rhythmic patterns to polytonality, sounds that no one had ever heard before in symphonic music. Far ahead of his time, Stravinsky shook up people’s beliefs of what classical music was by reinventing modern music.
Ballet, Composers, Dance, Music, Music Legends, Orchestra

Chicago

Arts Days: June 23, 1927: Razzle Dazzle Man
From the hip roll to the finger snap to the perfectly angled hat—these are just some of the signature moves of the unmistakable “Fosse look.”

Jazz choreographer Bob Fosse invented so many moves that are now essential in modern dance that the casual observer may not even be aware of how widespread his influence continues to be. He broke new ground with dances that were demanding, entertaining, and provocative—often by creating one sharp, simple isolated movement. He honed his style in musicals like The Pajama Game, Damn Yankees, Sweet Charity, and Pippin and saw his creativity peak in the musical Chicago and the autobiographical film All That Jazz.

The second film Bob Fosse directed, 1972’s Cabaret, won eight Academy Awards® including Best Director.
Broadway, Choreographers, Controversial, Dance, Dance Legends, Innovators & Pioneers, Jazz

Isadora Duncan

Arts Days: May 27, 1877: Something in the Way She Moves
Inspired by everything from ancient Greek art to the power of nature embodied in rushing rivers and rainy weather, Isadora Duncan poured all she had into dancing, which she believed to be the body’s expression of the soul’s innermost desires. She rejected classical ballet as too confining and controlled.

A true free spirit, Duncan brought a new athleticism to dancing; her choreography was full of leaps and jumps and skips. Barefoot, her long hair flying, dressed in Grecian-inspired flowing tunics, she was a captivating sight as she danced. She taught her students that the energy they need for dance originated in the solar plexus, a group of nerves in the body’s abdominal region.
America, Controversial, Dance, Dance Legends, Innovators & Pioneers, Choreographers

Michael Jackson Moonwalks

Arts Days: May 16, 1983: A Marvelous Night for a Moon Dance
The crowd at the Motown 25th Anniversary Special erupted in shrieks. On stage was Michael Jackson, performing his song “Billie Jean.” Jackson spun on his heels, looked both ways, and then seemed to slide backward across the stage as though pulled by an invisible string.

Those who master the move seem to be walking forward and sliding backward at the same time. Others had done the moonwalk, or backslide, but Michael Jackson made the move his very own. Every time he did it, his fans went crazy. As a solo artist, the moonwalk was only one of Jackson's incredible moves; throw in his dance-floor hits like “Don’t Stop ’Til You Get Enough” and “Thriller,” his singing, that single, spangled glove, and his mysterious persona, and you had a celebrity of nearly-unparalleled global fame.
Dance Legends, Music Legends, Rock & Roll, Popular Culture, Dance, Music

Martha Graham Dance Company

Arts Days: April 18, 1926: Mother of Modern Dance
The first dance performance Martha Graham attended at age 16 with the legendary Ruth St. Denis on the program, may have flickered through Graham’s mind when the lights went down at the 48th Street Theater in New York City, just before she made her debut. The movements she and her fellow dancers were performing that night were anything but traditional. What the audience witnessed was an early public display of Graham’s “contract and release” technique, in which muscles were held taut, then let go in accordance with the emotions a dancer sought to convey. The movements were angular, athletic, jagged—in marked contrast to the graceful style of classical ballet.

Within a year, Graham opened a dance school, attracting attention from many in the dance community. One of the most acclaimed dancers in history, Graham’s choreography shook up the world of modern dance.
Choreographers, Dance, Dance Legends, Controversial, Innovators & Pioneers

Grey Skies Blue

Cuesheet: Grey Skies Blue: Performed by SHAPESHIFT Theatrical
A young woman is forced to confront her past when her estranged mother suddenly appears at her doorstep. Two lifelong friends face a journey of cultural and self-identity together. A promising relationship is jeopardized by deception. Can any of them trust their friends or companions? And how well do they truly know themselves?
Theater, Accessibility, Dance

Galumpha

Video Series: Galumpha, The Human Jungle Gym
Galumpha, "The Human Jungle Gym," brings to life a world of imagination, beauty, muscle, and merriment
Dance, Physical Activity, Theater, Music, Jobs in the Arts

African Dance

Video Series: African Dance
These five-minute video lessons will help you learn the posture and isolations common in African dance, and about two African drums, the cajon and the djembe
Africa, Dance, World Cultures

Rokafella from Full Circle Productions

Video Series: Hip Hop To Da Head
Members of Full Circle Productions demonstrate different types of hip hop dance and music
Hip-Hop, Popular Culture, Dance, Young Artists

Modern Dancers

Video: Hip-Hop Meets Modern: Dance is not Dance
What happens when Turkish hip-hop dancers travel to the United States on a modern dance exchange program? Hip-hop dancers discover the transition to modern dance is not an easy one, since the two forms are based on very different styles.
Dance, Hip-Hop, World Cultures, Europe, Young Artists, Physical Activity

Indonesian Dance

Video: Indonesian Dance
In appreciation for their three days of intense study and practice at the Hubbard Street Dance Center, the Indonesian visitors are happy to share their country’s traditional Javanese dancing with members of the Chicago dance company.
World Cultures, Asia, Dance, Young Artists

Larry Yazee

Video Series: Larry & Jessup Yazzie: Fancy Dancers
Meskwaki Tribe member Larry Yazzie and his son, Jessup, discuss and perform traditional Native American dances.
Dance, Folklore, Native America

Latin Dance

Video Series: Latin Dance Level 2
These five minute Level 2 video lessons will help you learn new moves for four Latin dances: the Merengue, Salsa, Bachata, and Cha Cha Cha. Learn some history of these styles and how to hold while turning.
Dance, Music, Popular Culture, Latin America

Tango Feet

Video Series: Latin Dance Level 1
These five minute video lessons will help you learn three Latin dances: the Merengue, Salsa and Bachata. Learn the history of these styles and how to be a good partner.
Dance, Music, Popular Culture, Latin America

Video Series: Native Pride Dancers
Watch Native American dancers from the group Native Pride Dancers demonstrate the traditional eagle, fancy, grass and hoop dances
Folklore, Music, World Cultures, Native America, Dance

Swing dance

Video Series: Swing Dance
Get on the dance floor with dance instructors Nina and Bobby! Learn East Coast Swing, Charleston, and Lindy Hop in three instructional videos.
Dance, Music, Jazz, Popular Culture

The Flying Legs Crew

Video Series: The Flying Legs Crew
The US Department of State and the John F. Kennedy Center for the Performing Arts offer professional development opportunities to energize the work of emerging international artists in their own countries by bringing them to the United States and providing them with instructive and informative experiences in their arts discipline, exposure to the creation and performance of world-class art, and opportunities to develop relationships with U.S. arts professionals. This video series captures the sights and sounds of performing artists from Venezuela, Turkey, Bolivia, Palestine, Morocco, and Indonesia.
Dance, Geography, Hip-Hop, Latin America, Music, Popular Culture, World Cultures, Young Artists

Alvin Ailey American Dance Theater

2700 F St.: Alvin Ailey American Dance Theater
Alvin Ailey American Dance Theater shares “Ailey Magic” with students, giving insight into the history of the company and its founder Alvin Ailey. The company performs selections from its varied and inspiring repertoire, including their signature work, Revelations.
The Human Journey, Dance, Choreographers, Dance Legends, America

San Francisco Ballet

2700 F St.: San Francisco Ballet
Launching in Spring 2018 in San Francisco, Unbound: A Festival of New Works showcases all new ballets created by 12 of today’s most innovative choreographers, including David Dawson, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Cathy Marston, Myles Thatcher, Stanton Welch, and Christopher Wheeldon. Favorite pieces from the festival will make their way to the Kennedy Center this fall, celebrating dance without limits and the company’s unique spirit of curiosity, experimentation, and invention.
Dance, Ballet, Backstage

Harlequinade

2700 F St.: American Ballet Theatre: Harlequinade
ABT’s star-studded roster of dancers, combined with the dynamic vision of Artist in Residence Alexei Ratmansky, has garnered cristical acclaim for the company across global audiences. The D.C. premiere of Ratmansky’s retelling of Marius Petipa’s 19th-century comic ballet follows its New York world premiere in summer 2018. He brings the “lost” classic to life with a bold new staging co-produced with Australian Ballet, inspired by Petipa’s archival notes and set to original music by Riccardo Drigo. In this two-act ballet, Harlequin fights for his true love, Columbine. Playful costumes and vivid sets create a charming tribute to the Italian commedia dell’arte style, known for its slapstick humor and rollicking characters.
Dance, Ballet, Backstage

Ragamala Dance Company

2700 F St.: Ragamala Dance Company
Drawing from the classical Indian dance form Bharatanatyam, the Ragamala Dance Company’s work provides a bridge between ancient and modern cultures. In Written in Water, one of the company’s newest productions, the childhood game Snakes & Ladders—a second-century Indian board game—sets the stage for the emotional journey that unfolds when people search for truth while desperately attempting to avoid human failing. With the Sufi poem “The Conference of Birds” as a framework, rich choreography is paired with original music by Iraqi American jazz artist Amir ElSaffar and Carnatic composer Prema Ramamurthy and performed live by ElSaffar and an ensemble. Projections by Chennai-based cartoonist Keshav and Minneapolis artist Nathan Christopher draw you even further into this mesmerizing world.
India, Dance, Choreographers, World Cultures

Ballet West: The Nutcracker

2700 F St.: Ballet West: The Nutcracker
No company holds a more storied relationship with The Nutcracker than Ballet West, which has kept the ballet in its repertoire since performing the first complete American version more than 70 years ago. Now, Ballet West returns to perform the D.C. premiere of its whimsical new production of The Nutcracker, which was unveiled in Salt Lake City last year. Pairing reimagined designs with beloved choreography, the opulent production delivers treasured moments and surprising new delights. Featuring grand sets and fantastical costumes alongside Tchaikovsky’s cherished score, this Nutcracker is a glittering, larger-than-life adventure.
Dance, Ballet, Backstage

Voyagers

Cuesheet: Voyagers: A Dance Among the Planets
A majestic ride awaits a young stargazer who is carried away by the magician Uranus. Join her and fellow voyagers in a journey through the solar system for the young and young at heart. The Kennedy Center and D.C. dance ensemble Company | E and composer Eric Shimelonis share an interplanetary display of modern movement set to Gustav Holst’s The Planets. Through a reimagining of Holst’s soaring suite, Company | E combines live music, dance, and a bit of Einstein to celebrate curiosity, compassion, and the natural world. Experience the distinct character of each planet, from the majestic and jolly Jupiter, to the angry and ominous Mars, to the lively and flighty Mercury.
Music, Space, Composers, Dance

Le Corsaire

2700 F St.: Mariinsky Ballet: Le Corsaire
Le Corsaire is a captivating story of bold pirates, passionate maidens, shocking betrayal, and a dramatic shipwreck rescue. Beloved for its breathtaking choreography, virtuosic dancing, and spectacular scenery and costumes, the classic ballet is an unmissable, swashbuckling adventure. Choreographer Marius Petipa revived the ballet for the Mariinsky more than a century ago, and the company continues to perform it with exhilarating freshness and tradition.
Dance, Ballet, Backstage

Dancing Earth

2700 F St.: Dancing Earth Indigenous Contemporary Dance Creations
Dancing Earth Indigenous Contemporary Dance Creations, with Founding Director, Choreographer, and Kennedy Center Citizen Artist Fellow, Rulan Tangen, present an exciting, interactive, “behind the scenes” peek at their performance SEEDS: RE GENERATION. Students will get to meet the intertribal Indigenous dancers whose performance art reflects the cultural heritage of Native America and indigenous global cultures. Each artist will lead different activities that may include movement, song, learning a few words in Apache and Dine languages, visual art, or possible surprise activities with seeds! Through these real life, inviting, interactivities, our artists counter stereotypes and under-represented histories, while inspiring students to unearth connections between current socio-environmental landscapes and their own origins, histories, varied cultural backgrounds, languages, homelands, foods, and “seeds” of hope, resilience, and solidarity.
The Human Journey, Dance, Choreographers, Native America

Colors

Cuesheet: Colors
Enter a world where colors become a place of relationships and emotions. Italy’s Compagnia TPO and Teatro Metastasio explore children’s perceptive, emotional, and creative relationships to colors with a physical dance piece. Dancers maneuver a set brought to life with fabric, projections, and sensors for exciting movements and sounds. Performers will interact with audience members—and some may even have the chance to get up on the stage and join in the colorful landscape!
Dance, Visual Arts

Pacifico

Video Series: Pacifico Dance Company
Compare and contrast the music and movement of traditional Mexican dances
Dance, Latin America, World Cultures

Peking Opera

Video Series: China: Arts & Culture
This video series brings you a glimpse of the history and diversity of China's performing arts
China, Dance, Geography, Musical Instruments, Music, Puppets, Theater, World Cultures, Asia

Paquita

Performance Guide: Mariinsky Ballet: Paquita
Most famous for its Act III “Grand Pas” wedding scene, Paquita is a glittering showcase of classical technique, dazzling tutus, and non-stop virtuosic turns. This 19th-century treasure is rarely performed in its entirety and, after treating our audiences to the Grand Pas in 2016, the company now brings the U.S. premiere of its lavish new full production.
Dance, Ballet, Backstage

Balancing Bodies

Performance Guide: Balancing Bodies
Take a seat in a rolling office chair and observe an ordinary space transform into a universe full of surprises and twists. Dutch dance/theater company WOEST brings this interactive show in which the interplay between performer and spectator is the nucleus around which everything orbits. As a world builds from nothing to something, audience members take part in balancing playfulness and organization, young and old, foolishness and seriousness, and more.
Dance, Physical Activity

ARTSEDGE logo

Educators: Educators Portal
Standards-based instructional resources, how-to's, guides and other supports for teaching with the arts
Education, Dance, Music, Theater, Visual Arts

‹  prev | 1 | 2 | 3
show: 25 | 50 | 75 | show all

Filter Your Results

Arts Subject

Select All | Deselect All

Grade Band

Select All | Deselect All

© 1996-2019 John F. Kennedy Center for the Performing Arts  

ArtsEdge is an education program of

The Kennedy Center 

with the support of

The US Department of Education 



ARTSEDGE, part of the Rubenstein Arts Access Program, is generously funded by David Rubenstein.

Additional support is provided by the U.S. Department of Education.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee
for the Performing Arts and the President’s Advisory Committee on the Arts.

The contents of this Web site were developed under a grant from the U.S. Department of Education. However, those contents do not
necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal government.
Unless otherwise stated, ArtsEdge materials may be copied, modified and otherwise utilized for non-commercial educational purposes
provided that ArtsEdge and any authors listed in the materials are credited and provided that you permit others to use them in the same manner.

Change Background:

Connect with us!    EMAIL US | YouTube | Facebook | iTunes | MORE!

© 1996-2019 John F. Kennedy Center for the Performing Arts  
    Privacy Policy
| Terms and Conditions

Close

You are now leaving the ArtsEdge website. Thank you for visiting!

If you are not automatically transferred, please click the link below:
http://absoluteshakespeare.com

ArtsEdge and The Kennedy Center are in no way responsible for the content of the destination site, its ongoing availability, links to other site or the legality or accuracy of information on the site or its resources.

Cancel

Close