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Don Giovanni Dress Rehearsal

Cuesheet: WNO Opera Dress Rehearsal: Don Giovanni
Mozart weaves the tale of Don Juan into a comically serious musical masterpiece
Backstage, Opera

Don Giovanni Opera Look-In

Cuesheet: WNO Opera Look-In: Don Giovanni
This 50-minute narrated program includes fully-staged scenes from Mozart’s light-hearted musical masterpiece
Backstage, Opera

Brunhilde

Article: Opera-tunity Knocks
A guide for all opera newbies, both young and old, with some hints as to how to calm the opera skeptic
Opera, Music

Conducting choir

Article: Understanding Different Voice Types
Ever wonder what makes one voice sound different from the next? Check out this look at (and listen to) vocal types and the various colors and textures of the human voice
Young Artists, Music, Opera

Washington National Opera: Show Boat

Cuesheet: WNO Dress Rehearsal: Show Boat
Based on the 1926 novel of the same name, Show Boat has gone down in American musical theater history as a revolutionary work—one of the first to successfully weave together an epic and dramatic storyline with beautiful and meaningful songs. The story follows the lives of the owners and workers aboard the Cotton Blossom—a floating theater travelling along America’s Southern rivers.
Backstage, Opera, Musicals

arts quote

Arts Quotes: Beverly Sills
"Art is the signature of civilizations."
America, Music, Music Legends, Opera

arts quote

Arts Quotes: Placido Domingo
"The high note is not the only thing."
Music, Music Legends, Opera

Metropolitan Opera House

Arts Days: October 22, 1883: For the Love of Music
Over a century ago, the Metropolitan Opera was housed in a building on Broadway at 39th Street in New York City. It was here that the first performance occurred—namely Faust, by Charles Gounod. The only reason a performance was made possible was all thanks to a group of wealthy New Yorkers with a passion for opera.

After being unable to purchase box seats for performances at the Academy of Music, they banded together to underwrite a brand new opera house. Initially, performers sang in Italian, later in German; fortunately, they agreed to stage operas in the works’ original languages during the 1895–96 season. Imagine hearing Aida in German! Today, the Metropolitan Opera presents over 200 performances each season, culled from a large repertoire, featuring the world’s most renowned vocal talents.
Art Venues, Opera, America

Syndney Opera House

Arts Days: October 20, 1973: Architecture as Art
Think of a few of the world’s most iconic structures. What comes to mind? Probably buildings like the Eiffel Tower, the Empire State Building, and Big Ben. On this day in 1973, the Sydney Opera House was added to the list. As a symbol of Australia itself, the building resembles a huge white boat at full sail docked at the edge of the bustling Sydney Harbor.

That, in fact, was the image Danish architect Jorn Utzon had in mind when conceiving the design for this building that hosts a wide array of performing arts events, not just opera. Interestingly, the original “sail/roof” was beyond engineering capabilities at the time, and it took Utzon two years to solve design issues affecting the series of shell-shaped pieces.
Opera, Architecture, Art Venues

Luciano Pavarotti

Arts Days: October 12, 1935: King of the High C's
Performing with his father Fernando, a teenage Luciano Pavarotti won an international singing competition in Wales. This accomplishment set the stage for a lifetime of vocal artistry for this world-famous tenor. Pavarotti exposed countless listeners to the wonders of opera and other types of classical vocal music. Incidentally, certain operatic roles—like Rodolfo in Puccini’s La Boheme—became forever linked to the man and his voice.

His gift combined deep expressivity, stellar technique, and the ability to meld opera into pop culture. During a performance of La Fille du Regiment in 1972, Pavarotti received 17 curtain calls, in part for the stunning high Cs he could effortlessly hit. Pavarotti, who set the standard for operatic tenors, was celebrated as a Kennedy Center Honoree in 2001.
Music Legends, Opera, Music

Placido Domingo

Arts Days: January 21, 1941: Phenom of the Opera
At age eight, operatic tenor Plácido Domingo moved to Mexico and attended the National Conservatory of Music in Mexico City. Originally, he studied piano and conducting, until his strong voice was discovered.

Domingo's voice is known for its versatility and dramatic tone throughout its wide range. He made his operatic debut in 1961 as Alfredo in La Traviata. Since then, he has performed for audiences all over the world and has appeared in more than 400 performances in 41 different roles at the Metropolitan Opera in New York.

Domingo has also made a name for himself as a conductor, leading musical forces from London's Covent Garden to New York's Metropolitan Opera and Washington's Kennedy Center for the Performing Arts. He is also a 2000 Kennedy Center Honoree.
Music Legends, Opera, Music

Marian Anderson

Arts Days: April 09, 1939: Let Freedom Sing
For more than 40 years, Marian Anderson’s supple contralto voice—lower than an alto or soprano—thrilled audiences the world over. She preferred singing in recitals to opera performance, though many opera companies tried to entice her to sing with them. However, it was the Daughters of the American Revolution’s refusal to let Anderson sing at Constitution Hall simply because of her race that set the stage for perhaps the most important concert of her career.

With an assist from President Franklin Roosevelt and Eleanor Roosevelt, Anderson gave a spellbinding public performance on the steps of the Lincoln Memorial. Some 75,000 people listened live in the chilly spring air, and millions more heard Anderson sing on the radio. In 1955, reconsidering her stance on singing in operas, she became the first African American to perform at New York’s Metropolitan Opera. Her grace and beauty—to say nothing of that remarkable voice—made Marian Anderson an important symbol of the civil rights movement.
America, Music, Opera, Controversial

Maria Callas as Norma

Article: Viva la Diva!
A look at some of opera's most demanding female roles
Theater, Orchestra, Music, Tragedy, Opera

La Traviata

Article: Boy Meets Girl, Girl Meets Tragic End
You haven't experienced stage romance until you've experienced opera. Here's a look at opera in love
Opera, Tragedy, Europe, Music, Theater

Atlanta Opera's production of Cosi Fan Tutte

Article: Cozying up to Così
A guide to Mozart's hilarious romantic comedy
Opera, Music, Theater, Comedy, Composers

Washington National Opera - Manon Lescaut

Cuesheet: WNO Opera Dress Rehearsal: Manon Lescaut
In Puccini’s Manon Lescaut—a free-spirited and flirtatious lady with a weakness for anything that sparkles meets a dashing young man who steals her heart. True love just isn’t enough for this French girl whose desire for finer things threatens to destroy her happiness, her reputation... even her life.
Backstage, Composers, Music, Europe, Opera

Giuseppe Verdi

Arts Days: October 10, 1813: Viva Verdi
Don't think you know any opera? Bet you do. Several pieces by Giuseppe Verdi have taken such deep root in worldwide arts culture that you've probably heard them—and could even hum them with a little effort. “La donna e mobile,” written by this Italian Romantic composer, is one such recognizable piece from his opera Rigoletto, based on a play by Victor Hugo.

Verdi broke some standard “rules” of opera; for example, his Macbeth was the first Italian opera that did not include a love story, and is considered a truly original piece for that reason. Verdi’s incredible range of operatic works can be heard in La Traviata, Aida, Il Trovatore, and Falstaff. Think opera. Think Verdi.
Composers, Opera, Europe, Music, Music Legends

Radio

Arts Days: January 13, 1910: Turn It Up!
Italian engineer Guglielmo Marconi won the Nobel Prize in Physics for his 1896 invention of the radio, which was initially used by ships to communicate with stations on shore. Over a decade later, American inventor and opera lover, Lee de Forest, developed the radio receiver, bringing radio broadcasts to the public.

On this day in 1910, de Forest promoted the radio receiver by broadcasting a live performance of tenor Enrico Caruso from the Metropolitan Opera. At the time, only a small number of people owned radio receivers and could listen to the broadcast, which was sent over a telephone transmitter.
Inventions, Innovators & Pioneers, Math, Opera, Music

Singer

Article: The Real Life of a Singer
A mini-course in starting a singing career
Music, Young Artists, Musicals, Jobs in the Arts, Opera, Rock & Roll

Singer

Article: What It Takes to Become a Professional Singer
So, you want to be a singer. What's next? A beginner's guide to starting a vocal career
Young Artists, Music, Jobs in the Arts, Opera, Musicals, Broadway

Singing Audition

Article: The Ins and Outs of Trying Out
Pointers for your next singing audition
Musicals, Opera, Education, Music, Young Artists, Theater, Jobs in the Arts

Singing at Piano

Article: No Singer is an Island
Some thoughts on being a musical teamplayer
Music, Young Artists, Jobs in the Arts, Musicals, Broadway, Rock & Roll, Opera

Young Female Singer

Article: Advice on Taking Care of Your Voice
Debunk myths about singing and learn the ABC's of how your voice works
Young Artists, Broadway, Jazz, Musicals, Opera, Rock & Roll

Gilded age painting

Lesson: Arts of the Gilded Age
Learn about and discuss characteristics of the Gilded Age. Using books, internet and other media, research the various fine and performing art forms popular during that time period.
Education, Opera, Musicals, Architecture, Ballet, Music, Theater

Giacomo Puccini

Arts Days: December 22, 1858: For the Love of Opera
Are you surprised to learn that Giacomo Puccini was the latest in a long line of musicians in his family? For a while, he served as a church organist and choirmaster, but then he happened to enjoy a night at the opera: Verdi’s opera, Aida. Puccini was so inspired by what he heard and saw that he decided he, too, would compose operas.

He went on to create some of the world’s best-known ones, from La Boheme to Turandot. Over the next decade or so, Puccini composed what were arguably his three most successful operas in a row—Tosca, Madama Butterfly, and La Boheme. Influenced by composers from Verdi to Richard Wagner, Puccini’s operas contain scores of passionate beauty and intensity.
Composers, Opera, Music Legends, Music, Musicals, Europe

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