In Raphael’s work, we see the close attention to human features at which Leonardo excelled; even some figures are posed like those in Leonardo’s work.
Raphael is born in Urbino, Italy
Raffaello Sanzio is considered one of the finest painters of the Italian Renaissance, which flourished in the 15th and 16th centuries. And so, Raphael needs only one name. His paintings, including The Madonna of the Meadow and The School of Athens (one of the series of paintings in the Vatican’s Stanze di Rafaello, or “Raphael’s rooms”) are filled with trademarks of his signature techniques, from their rich, luminous colors to the graceful placement of his human figures.
Important apprenticeships, combined with his own abundant talent, set the stage for Raphael’s thriving career painting commissioned pieces for churches and royal palaces. There’s also no question he paid attention to what Leonardo da Vinci was doing. But in the end, Raphael’s style—its nod to classic Greek art, the soft light that pervades many of the images—came to be all his own.