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Arts Quotes: George Balanchine
"First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers."
Backstage, Dance Legends, Ballet, Dance, Choreographers

arts quote

Arts Quotes: George Balanchine
"I don't want people who want to dance, I want people who have to dance."
Choreographers, Dance Legends, Ballet, Dance

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Arts Quotes: George Balanchine
"Dance is music made visible."
Dance Legends, Music, Choreographers, Dance, Ballet

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Arts Quotes: Mikhail Baryshnikov
"The essence of all art is to have pleasure in giving pleasure."
Dance Legends, Dance, Ballet

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Arts Quotes: Fred Astaire
"I just dance. I just put my feet in the air and move them around."
Dance Legends, Physical Activity, Dance, Movies & Movie Stars

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Arts Quotes: Martha Graham
"No artist is ahead of his time. He is his time. It is just that the others are behind the time."
Choreographers, Dance, Dance Legends, America

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Arts Quotes: Margot Fonteyn
"Genius is another word for magic, and the whole point of magic is that it is inexplicable."
Ballet, Dance, Dance Legends

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Arts Quotes: Martha Graham
"Dance is the hidden language of the soul."
America, Choreographers, Dance, Dance Legends

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Arts Quotes: Martha Graham
"Great dancers are not great because of their technique; they are great because of their passion."
America, Choreographers, Dance, Dance Legends

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Arts Quotes: Agnes De Mille
"The truest expression of a people is in its dances and its music. Bodies never lie."
Dance, Dance Legends, Choreographers

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Arts Quotes: Merce Cunningham
"The only way to do it is to do it."
Choreographers, Dance, Dance Legends

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Arts Quotes: Arlene Croce
"Good choreography fuses eye, ear, and mind."
Ballet, Choreographers, Dance, Dance Legends

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Arts Quotes: Ibrahim Farrah
"Dance is so important in the world. It needs no language. Our bodies speak a language of its own."
World Cultures, Dance, Dance Legends, Choreographers

Jerome Robbins instructing

Arts Days: October 11, 1918: Where Broadway Meets Ballet
The man born Jerome Rabinowitz infused 20th-century choreography with a uniquely American flavor. The work he did for ballets like Fancy Free displayed his penchant for freely mixing elements of many different types of dance: jazz, ballet, modern, and folk.

That creativity was burnished by Robbins’ work on a string of legendary Broadway musicals, from West Side Story to Fiddler on the Roof and Gypsy. A 1981 Kennedy Center Honor recipient, Robbins balanced his theatrical projects with ballet choreography throughout his career. With his dancing feet planted firmly in both camps, it’s no surprise Robbins won Tony Awards®, Academy Awards®, and served as ballet master of the New York City Ballet in the 1970s.
Musicals, Ballet, Dance, Choreographers, Dance Legends, Innovators & Pioneers

Agnes De Mille

Arts Days: September 18, 1905: Dance Queen of Broadway
Her father William and her uncle Cecil were both big-shot Hollywood directors, so perhaps it was genetic that Agnes de Mille sought a life in the arts. She studied piano, considered acting and took dance lessons, and choreographed big dance sequences for movies like Cleopatra and ballets including the sensational Rodeo (which received 22 curtain calls). Yet it was as a choreographer for the theatrical stage that de Mille really found her calling.

The dance routines she created were anything but routine. Musicals like Carousel, Gentlemen Prefer Blondes, and especially Oklahoma! revolutionized musical theater by the way de Mille incorporated her choreography right into the plot, further rounding out characters’ personalities, and blending folk dance with ballet.
Backstage, Broadway, Choreographers, Dance, Dance Legends, Musicals, Theater

The John F. Kennedy Center

Arts Days: September 08, 1971: America’s Home for the Arts
In 1958, President Eisenhower signed legislation to build a national cultural center in Washington, D.C. Yet in the wake of President Kennedy’s assassination in 1963, Congress decided that the center would be a “living memorial” to our 35th president, who had worked tirelessly to elevate the role of the arts in America.

Opening night saw the debut performance of Leonard Bernstein’s Mass, written in memory of the fallen president; other performers included the Alvin Ailey American Dance Theater and the Berkshire Boys Choir. Since that night, the Center has welcomed and entertained millions as the finest performers from around the globe have graced its multiple stages. In addition, its Education Department touches more than 11 million young people, teachers, and parents each year.
Architecture, Art Venues, Backstage, Ballet, Choreographers, Composers, Dance, Dance Legends, America, Innovators & Pioneers, Music, Music Legends, Musicals, Opera, Theater

Gene Kelly

Arts Days: August 23, 1912: Dancing Up a Storm
Dancer, actor, choreographer, boyishly handsome good guy—that was Gene Kelly, the fellow who bought a one-way ticket to New York City when he was a young man and soon landed a Broadway lead.

Kelly pushed for Hollywood to make more musicals and wound up dominating the musical revival in the 1940s and 50s. In timeless movies like Singin’ in the Rain and An American in Paris, Kelly’s elegant dancing stole the show.

He made it look so easy, yet his dancing demanded great strength, technical skill, and expression. In his choreography and in his performances, he melded everything from classical ballet to jazz to athletic prowess to tap dancing. And by the way, he could sing, too.
America, Choreographers, Dance, Dance Legends, Musicals, Movies & Movie Stars

Sammy Davis, Jr.

Arts Days: December 08, 1925: The Ultimate Entertainer
Whether singing, acting, playing instruments, or tap-dancing, Sammy Davis, Jr. always performed with style and elegance. A Kennedy Center Honoree in 1987, Davis was just three years old when he made his vaudeville debut. In young adulthood, he played clubs, landed movie roles (including one in the original Ocean’s Eleven from 1960), starred on the Broadway stage, and even got his own TV program, The Sammy Davis Jr. Show.

Signed to Capitol, Reprise and several other record companies over the decades, Davis’ hit songs include “Mr. Bojangles” and “What Kind of Fool Am I.” His friendships with Frank Sinatra, Dean Martin, and other big stars of the day earned him a place in the Rat Pack, a crew of Hollywood hotshots who partied and performed together.
Movies & Movie Stars, Innovators & Pioneers, Music Legends, Music, Dance, Dance Legends

Performers dancing to Berkeley’s choreography

Arts Days: November 29, 1895: Busby's Babes
Back in the 1930s, one young man's dream job was to choreograph the most attractive, scantily-clad chorus girls on Broadway and in Hollywood. Born William Berkeley Enos, this innovative dance director created visually-stunning spectacles for his audience, arranging dancers in elaborate geometric shapes, and taking inspiration from multi-pronged kaleidoscopes or snowflakes.

Sometimes, he’d position dancers to look like the spokes of a wheel, or a human waterfall. And then, he would film these spectacular routines with a mobile camera. Berkeley also shot close-ups of each pretty girl, making what he called a “parade of faces.” The Berkeley touch is clearly obvious in movies like 42nd Street and Broadway Serenade. And believe it or not, the man never took a single dance lesson in his entire life.
Broadway, Choreographers, Innovators & Pioneers, Dance Legends, Dance, Movies & Movie Stars

Jacques d’Amboise

Arts Days: July 28, 1934: Dancing for Joy
Few have done more to teach children about the joy of dance than this 1995 Kennedy Center Honoree.

D’Amboise was only 16 when he joined George Balanchine’s company, often partnered with Suzanne Farrell. As one of the earliest dancers and interpreters of Balanchine’s style, d’Amboise brought a powerful American energy to ballet.

When he was still a principal dancer of the New York City Ballet, Jacques d’Amboise founded the National Dance Institute, a program that teaches thousands of youngsters to dance and express themselves through ballet, jazz, and other forms of dance.
Europe, Dance, Dance Legends, Ballet, Choreographers

Rudolf Nureyev

Arts Days: March 17, 1938: Ballet's Rebel
Rudolf Nureyev was born on a train, setting the stage for a lifetime of perpetual movement, onstage and off. The premier male ballet dancer of his time, Nureyev began dancing to folk music as a child, attracting the attention of teachers who signed him to a local ballet troupe. He soon moved on to a major Russian ballet company, the Kirov, where he danced lead roles and got permission to leave the Soviet Union to dance in other cities like Vienna and Paris.

His dancing enchanted audiences, but his defection from the USSR in 1961 stunned the dance world. He soon signed with London’s Royal Ballet, the company he remained with until 1970. Nureyev’s creative partnerships with prima ballerinas like Margot Fonteyn are legendary; their pas de deux (“dance for two”) in Giselle and other ballets are exquisite examples of technical prowess and gorgeous artistry.
Ballet, Dance Legends, Dance, Controversial, Innovators & Pioneers

Nutcracker

Arts Days: March 19, 1892: A Winter Wonderland
The most popular ballet of all time is quite an international affair. Consider this: The story behind The Nutcracker was by a German writer, E.T.A. Hoffman. The music was written by a Russian composer, Pyotr Ilyich Tchaikovsky. And the dance steps of the version you are most likely to enjoy this Christmas were created by Frenchman Marius Petipa.

On this day, Tchaikovsky chose several pieces of his score to perform at an event offered by the St. Petersburg branch of the Musical Society. While the music was incredibly well-received, the version of the ballet we know and love today—filled with delicious dances from the Land of Sweets, performed by the Sugar Plum Fairy and dozens of others—did not emerge for another 60-odd years.

Enjoying the ballet’s fantastic sights—a sparkling Christmas tree shooting up into the rafters, the Nutcracker turning into a prince, and the Mouse King in battle—is a holiday ritual for many families around the world.
Ballet, Dance Legends, Dance, Music, Composers

Arthur Mitchell

Arts Days: March 27, 1934: Breaking Ballet’s Barriers
After learning to tap dance as a child, Arthur Mitchell wowed a teacher with his version of the jitterbug, a dance popular in the 1940s. Mitchell was encouraged to apply at New York’s High School of Performing Arts. After graduation, Mitchell went on to win a scholarship to the famed School of American Ballet, then to join the New York City Ballet. There, he was told he would have to work twice as hard as the white dancers to be accepted.

In 1957, he performed George Balanchine’s Agon to audiences shocked at the sight of a white woman paired with a black male dancer. Mr. Balanchine ignored the attention, and at 21, Mitchell became the first black male principal dancer of a major dance company and a Kennedy Center Honoree in 1993.
Ballet, Dance, Dance Legends, Innovators & Pioneers

Vaslav Nijinsky

Arts Days: March 12, 1889: Lord of the Dance
One of the most talented ballet dancers the world has ever seen, Polish dancer Vaslav Nijinksy is forever associated with Russia and its exceptional heritage of ballet. Without question, Nijinsky could leap higher than anyone else and dance on the tips of his toes, a feat usually performed only by female dancers. Whether portraying a straw puppet in Petrushka or a charming prince in Sleeping Beauty, Nijinsky’s dancing was equally expressive and bold.

But Nijinsky’s career truly turned the corner when he met ballet producer Sergei Diaghilev. Diaghilev made Nijinsky one of the stars of his famous dance company, the Ballets Russes. Over the years, Nijinsky often performed in starring roles in Gisele, Scheherezade, and many other important ballets. Later in his career, he went on to choreograph his own ballets, breaking the rules about how ballet “should” be performed and greatly expanding modern dance as he did so.
Dance, Dance Legends, Controversial, Innovators & Pioneers

George Balanchine

Arts Days: January 22, 1904: A Ballet Master is Born
George Balanchine was one of the most prolific, and often considered the most influential, ballet choreographers of the 20th century. Born on this day in Saint Petersburg, Russia, he revolutionized classical ballet by eliminating complex plots and emphasizing movements that expressed music.

Balanchine created more than 400 ballets and founded the New York City Ballet. His artistry and fresh approach helped popularize ballet in the United States. Balanchine worked with thousands of dancers and created more than 400 ballets.
Choreographers, Dance Legends, Ballet, Dance

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