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Judy Garland

Arts Days: June 10, 1942: A Star Is Born
At 13, singer/actress Judy Garland was signed to the MGM Studios—a bit old for a child star, but still on the young side for adult roles. But a series of movies with Mickey Rooney, such as Love Finds Andy Hardy, helped the studio find the right place for the teen, who shot to worldwide superstardom in the role of Dorothy in The Wizard of Oz. (“Somewhere Over the Rainbow” will always be identified with Garland.)

Her fans loved her voice so much that any movie in which she didn’t sing was pretty much guaranteed to disappoint at the box office. On the other hand, Meet Me in St. Louis and The Harvey Girls, filled with memorable songs, were big hits. Garland is still considered one of the greatest vocal interpreters of the 20th century.
Movies & Movie Stars, America, Music Legends, Musicals, Music, Science Fiction & Fantasy

Strauss

Arts Days: June 11, 1864: A Pioneer of the Modern Movement
This composer of Romantic and early-modern works understood the workings of an orchestra like few others have before or since.

As a young man, he used to frequent rehearsals of the Munich Court Orchestra and take lessons in music theory with some of the conductors. Strauss’ training and own innate talent for writing complex orchestral pieces led him in new directions as he got older; he started writing “tone poems,” pieces of music inspired by and written about a painting, novel, or some other non-musical source (his first tone poem was Don Juan). In addition, at the turn of the 19th century, Strauss began composing operas. He conducted many orchestras and also explored dissonance, combining chords in ways that sometimes startled listeners.
Composers, Europe, Music, Music Legends, Orchestra

Marvin Gaye

Arts Days: May 21, 1971: Soul Man
In the 1950s and 60s, the silky tenor voice of Marvin Gaye moved easily from the pop stylings of “Ain’t That Peculiar” to the lush duet with Tammi Terrell “You’re All I Need to Get By.” But in 1971, Gaye released an album that showcased a new level of artistry and depth. What’s Going On was a concept album filled with songs that tackled the problems of the day: the Vietnam War, racism, environmental damage, unemployment, poverty, and other complex issues.

The album marked a groundbreaking achievement in recording history as Gaye’s phenomenal voice with its three-octave range coupled with difficult social and political issues. What’s more, with this album Gaye resisted Motown’s standard process of separating songwriters, singers, and producers on a project.
Innovators & Pioneers, Music Legends, Rock & Roll, Popular Culture, Music

Shuffle Along

May 23: May 23, 1921: Breaking Broadway’s Barriers
The early 20th century ragtime and jazz musicians Eubie Blake and Noble Sissle had a major hit on their hands when they co-wrote Shuffle Along, the first major Broadway musical by, for, and about African Americans. All told, the show ran for more than 500 performances. It played in Washington, D.C. and other locales before lighting up Broadway, where police were assigned on show nights to help ease traffic congestion.

Shuffle Along also made stars of dancers like Josephine Baker and singers like Paul Robeson. Many songs became popular hits. But by today’s standards, some aspects of Shuffle Along are offensive. For example, though the actors were all African American, they applied makeup to their faces to darken them further, and borrowed stock characters from minstrel shows. As the show’s popularity spread by word of mouth, the audiences were filled with black and white theater patrons alike.
Broadway, Innovators & Pioneers, Musicals, Jazz, Controversial, Theater

Adolphe Sax

Arts Days: May 17, 1846: The Sax Man
Belgian-born Adolphe Sax not only played musical instruments, he invented new ones, too. When he was 15, he made and musically mastered his own flutes and clarinets, even entering them in contests. Only a few years later, a kind of bugle he created laid the groundwork for a new family of instruments called the saxhorns.

The saxophone that bears his name proved to be the pinnacle of his ingenuity. Designed for use in orchestras and concert bands, Sax envisioned it as a woodwind instrument similar to the clarinet and played with a mouthpiece composed of a single reed (a thin strip of material that vibrates inside an instrument to create its distinctive sound). Inventing this new instrument gave Sax greater credibility among musicians and teachers of music.
Inventions, Musical Instruments, Music

Bob Dylan

Arts Days: May 24, 1941: Hey, Mr. Tambourine Man
When Robert Allen Zimmerman changed his name to Bob Dylan he was a young college student playing local coffeehouses. Just like his folk hero Woody Guthrie, Dylan was obsessed with taking a road trip across the country.  And so two years later, Dylan dropped out of school and headed east, winding up in New York City, where he had two goals. First, become a professional musician, and second, meet Guthrie. He managed to do both.

He also managed to challenge the establishment and influence others with both his words and music. With protest songs like “Blowin’ in the Wind” and social commentaries including 1964's “The Times They Are A-Changin’” Dylan’s distinctive, nasal vocals became the voice of a generation. Bruce Springsteen has said Dylan essentially invented a new sound and “changed the face of rock and roll forever.”
Innovators & Pioneers, Music Legends, Rock & Roll, Popular Culture, Music

Miles Davis

Arts Days: May 26, 1926: Miles Ahead
They’re called trailblazers: artists who test the traditional, the expected, and then break new ground by turning in new directions. Count jazz trumpeter Miles Davis as one such pioneer.

Perhaps the most influential musician in any genre of the 20th century, Davis bent the boundaries of jazz music into entirely new shapes. Working with saxophonist John Coltrane, Davis made stylistic advances featuring improvisations based on modal harmonies rather than chord progressions.

Davis later teamed up with Gil Evans, a gifted pianist, composer, and arranger, and produced Birth of the Cool, an influential recording that single-handedly kicked off the cool jazz movement. Davis’s fingerprints are everywhere on this and other jazz subgenres, including hard bop.
America, Innovators & Pioneers, Jazz, Music, Music Legends

Michael Jackson Moonwalks

Arts Days: May 16, 1983: A Marvelous Night for a Moon Dance
The crowd at the Motown 25th Anniversary Special erupted in shrieks. On stage was Michael Jackson, performing his song “Billie Jean.” Jackson spun on his heels, looked both ways, and then seemed to slide backward across the stage as though pulled by an invisible string.

Those who master the move seem to be walking forward and sliding backward at the same time. Others had done the moonwalk, or backslide, but Michael Jackson made the move his very own. Every time he did it, his fans went crazy. As a solo artist, the moonwalk was only one of Jackson's incredible moves; throw in his dance-floor hits like “Don’t Stop ’Til You Get Enough” and “Thriller,” his singing, that single, spangled glove, and his mysterious persona, and you had a celebrity of nearly-unparalleled global fame.
Dance Legends, Music Legends, Rock & Roll, Popular Culture, Dance, Music

Carnegie Hall

Arts Days: May 05, 1891: The Music House That Steel Built
The stages (there are three now) of Carnegie Hall, the preeminent concert hall in the U.S., have been graced by everyone from jazz singer Ella Fitzgerald and violinist Isaac Stern, to opera star Luciano Pavarotti and pianist Fats Waller.

In the late 19th century, the landmark building on New York’s Upper West Side, then known simply as “Music Hall,” was funded by steel magnate and philanthropist Andrew Carnegie and designed by architect William Burnet Tuthill. On this opening night, two important figures in classical music—conductor Walter Damrosch and composer Peter Ilyich Tchaikovsky—were featured.

It would have been hard to imagine on this festive occasion that only 75 years later, Carnegie Hall would be slated for demolition. Fortunately, Stern and others persuaded the city to purchase the building and Carnegie Hall was saved. Renovations in the 1980s prompted critics to complain that the Hall’s famous acoustics were harmed, but others said that the renovations have improved the sound by muffling street noise.
Art Venues, Music Legends, Music, Orchestra

Johannes Brahms

Arts Days: May 07, 1833 and 1840: A Couple of Romantics
The famous lilting melody we call “Brahms’s Lullaby” is named for its composer Johannes Brahms. Among his other works were his German Requiem for orchestra and chorus, numerous pieces for string quartet, and several symphonies. Classical music scholars tell us that Brahms was a perfectionist, working and re-working a musical piece. Yet with all his stirring works, it’s Brahms’s delicate lullaby that many people associate with him.

As for Tchaikovsky, he was a kingpin among composers of the Romantic era, creating sentimental melodies and ballet music (such as that for The Nutcracker), the opera Eugene Onegin, and symphonies. He taught music and served as a critic as well as a composer, and he was very well-regarded among fellow musicians, fans, and even the Tsar of Russia, who arranged a special pension for him.
Composers, Europe, Music, Music Legends, Orchestra

Grammy

Arts Days: May 04, 1959: A Record-Breaking Event
Only 28 awards categories existed when the first Grammys were handed out at Los Angeles’ Beverly Hills Hotel. Two categories—Best Country & Western Performance and Best Rhythm & Blues Performance—had only one nominee each, which pretty much locked up those winners. Still, the event, then called the Gramophone Awards, sought to recognize the year’s finest vocal, musical, and spoken-word performances.

The National Academy of Recording Arts and Sciences, the industry group that sponsors the awards, decided from the start that the winners would be chosen by others in the business and that a recording’s popularity on the charts would have no effect on its chances of winning. Nowadays, the Grammys are more than just an awards show, with 108 categories and a global reach.
Popular Culture, Rock & Roll, Music

Rajaharischandra

Arts Days: May 03, 1913: Hooray for Bollywood
“Bollywood” is a catchy term for the Hindi-language film industry featuring big dance numbers, lots of emotion, and many attractive actors. The nickname is a play on the words “Hollywood” and “Bombay,” a city in India now known as Mumbai, where most filming takes place.

When Raja Harishchandra premiered on this day, crowds flocked to see the film about an Indian king who sacrifices his kingdom and family in honor of a wise man named Vishvamitra. The silent movie was such a smash that more copies had to be printed. Overnight, the Bollywood phenomenon was born.

Today’s Bollywood movies typically run for two or three hours; are filled with song and dance; tell interwoven stories about boys and girls falling in love; and almost always have a happy ending. Many have become hits around the world. Outside of India, the highest-grossing Bollywood film to date has been Kabhi Alvida Naa Kehna, filmed in New York City, of all places.


India, Musicals, Movies & Movie Stars, Popular Culture, World Cultures

Stevie Wonder

Arts Days: May 13, 1950: Wonder Boy, Wonder Man
Stevland Hardaway Judkins may have been blind from birth, but his musical gifts were beyond compare.

He started playing piano at seven; he learned bass, drums, and harmonica; and he sang in church choirs. At 11, he was heard singing on a street corner by someone who knew someone at Motown Records. Introductions were made, and Little Stevie Wonder, his stage name as a youth, had a record deal and a hit record by the time he was 13 years old.

Wonder has never stopped working: writing songs for others, acting, and making hit record after hit record, including Music of My Mind, Talking Book, Innervisions, and Songs in the Key of Life. There are 22 Grammy Awards® on the mantel at his house, more than any other won by a solo artist.
Innovators & Pioneers, Music Legends, Music, Popular Culture, Rock & Roll

Karaoke

Arts Days: May 10, 1940: Karaoke King
A self-taught drummer who played with bands in Kobe, Japan, Daisuke Inouye had a light-bulb moment one day when asked to provide music for a corporate party. While he could not accept the gig, he made a recording of music for party-goers to sing along with. It was so well-received that Inouye got the notion to attach an amplifier to a car stereo and fit it with a coin box. That way, people could feed money to sing along with the pop tune of their choice.

This was the first karaoke machine; nowadays, setups are more elaborate. For one thing, there is a color-coded video display of the lyrics to prompt the performer through the song, thousands of pop tracks minus the lead vocal to choose from, and microphones plugged into a public-address system so the entire club can hear the amateur singer do his/her stuff.
Popular Culture, Music, Japan

Iggy Pop

Arts Days: April 21, 1947: Music Gets Punk’d
As a kid growing up in the Midwest, James Newell Osterberg got his punk-rock nickname when he played drums briefly with a blues band called the Prime Movers. Iggy’s bandmates invented his moniker after his previous band, the Iguanas. In the late 1960s, Iggy Pop helped lay the groundwork for punk music by forming his influential band, The Stooges.

With their blistering guitar work and relentless drumming, coupled with Iggy’s unearthly yowls, shrieks, and moans, the band is still held up as the prototype for intense, driving rock and roll, with everybody from KISS to the Sex Pistols to Green Day. The Stooges only made a few records, like Raw Power and Fun House, before disbanding, but they and Iggy helped shape the course of popular music.
Rock & Roll, Controversial, Innovators & Pioneers, Music, Music Legends

Augustus Julliard

Arts Days: April 19, 1836: Schooled in the Arts
Augustus Juilliard was born on a ship while his family made the crossing to America from their native France. Raised in Ohio, Juilliard moved to New York City when he was 30, amassing great wealth through his work in the textile industry. Juilliard went on to use his fortune to support a range of cultural and social causes, from the American Museum of Natural History to New York hospitals.

Juilliard is said to have loved music, in particular opera music. In his will, he left money toward the creation of a music school, which today we call The Juilliard School. Juilliard is admired around the world for its rigor in turning out young dancers, musicians, actors, and singers. Those who are admitted into the school have to have exceptional grades and proven talent in the performing arts.
Art Venues, Europe, Education, Music, Music Legends

iTunes

Arts Days: April 28, 2003: MP3 Mania
When a company named Apple, which had long sold computers and software, launched a Web store to sell digital versions of songs, music lovers realized the ways in which they would listen were changing. For decades, people had bought music scratched into vinyl records or wrapped in plastic boxes: eight-track tapes, cassettes, or CDs.

Apple’s venture made them wonder whether their collection—and the means to play it—would become obsolete. For that matter, the way artists recorded songs and record labels released them also changed with the rise of digital tunes. However, one of the biggest problems the digital music store created was pirating or illegal downloading of artist’s songs which considerably hurt sales. Still, the sound quality of digital tracks is top-notch.
Innovators & Pioneers, Inventions, Music

Duke Ellington

Arts Days: April 29, 1899: The Duke of Jazz
One of the greatest musicians of all time was Edward Kennedy Ellington—more commonly known as Duke. He was a superb piano player, composer, and bandleader in a career which extended for over 50 years. Ellington’s leadership of his own “big band”—a term for jazz-playing orchestras that became popular in the 1920s—set the bar for all bandleaders who would follow him. In the beginning, Ellington’s orchestra landed a weekly gig at Harlem’s famous Cotton Club.

It lasted for over a decade and brought his music to untold fans who were there in person or listening on the radio. His arrangements, conducting, and charismatic personality all helped popularize the big band sound, and the songs he wrote alone or with his trusted collaborators, numbered nearly 2,000. Ellington’s music is a study of contrasts—dramatic and personal, traditional and innovative, strictly composed and loosely improvised—music often based on a highly personal memory, mood, or image.
Composers, Innovators & Pioneers, Music Legends, Jazz, Music

Willie Nelson

Arts Days: April 30, 1933: Part Hippie, Part Outlaw, All Talent
He’s a songwriter and singer, an activist, actor, and author. And yes, Willie Nelson, whose hit songs run from “Always on My Mind” to “Good Hearted Woman,” is also an American icon. His grandparents got him music lessons through the mail when he was a very young boy, and he landed a spot playing guitar in a band at the ripe old age of nine. In addition to playing and singing his own music, flecked with jazz, folk, and rock influences, Nelson wrote monster hits like “Crazy” and "Pretty Paper.”

He conceived the Farm Aid concerts in 1985 as a way to bring awareness to the financial and agricultural problems faced by American farmers. These concerts were hugely successful and helped pass laws protecting farmers from foreclosure. Wearing his signature long braid down his back, Willie Nelson continues to sell out stadium shows, write music, and support many charity organizations.
Music, Popular Culture, Music Legends

Beethoven

Arts Days: April 27, 1810: Elise Who?
We´ll never know who the great German composer and piano virtuoso Ludwig van Beethoven had in mind when he wrote this delicate piano composition that is instantly recognizable after just a few notes. While it’s known as For Elise in English, its formal name is Bagatelle in A minor (a bagatelle is a short, light piece of music usually written for piano). Für Elise was actually jotted down right on the paper Beethoven used.

Some scholars think the reference indicates Beethoven wrote it for one of his girlfriends, but others say the informal name is the result of a transcription goof, and in fact the piece was intended to be Für Therese (a woman Beethoven had really wanted to marry but never did). At any rate, Für Elise is a charming work.
Math, Music Legends, Composers, Orchestra, Europe

Hammond Organ

Arts Days: April 24, 1934: The First Organ Transplant
When an American inventor named Laurens Hammond demonstrated an organ without pipes on this day, musicians like George Gershwin were skeptical (though Gershwin bought one anyway). No one could quite believe that a pipeless electric organ could produce the majestic sounds of the pipe organ that had dominated church services and musical events for centuries. However, once Hammond’s organ was played, the skeptics grew silent.

Using a complex series of magnets, coils, and gears deep inside the console of the instrument, Hammond had created a new instrument capable of all the melodic richness of the pipe organ but in a much smaller size. The price couldn’t be beat, either—$1,250 compared to $4,000 and up for traditional organs, which used air pumped into the pipes by the organist to create their sound.
Musical Instruments, Music, Math, Inventions

Ella Fitzgerald

Arts Days: April 25, 1918: The First Lady of Song
At age 15, Ella Fitzgerald won the chance to compete at amateur night at New York City’s famed Apollo Theater. While she had originally planned to do a dance number, she got nervous. Fitzgerald changed her mind at the last minute, opened her mouth, and sang. That glorious voice stunned the audience and delighted jazz sax player Benny Carter, who happened to be there that night.

Carter went on to introduce Fitzgerald to people who might help this young singer find a greater audience. Fitzgerald later mastered a type of vocal improvisation called “scat singing,” in which she would sing in syllables, not words. Scatting lets a singer play around with sound, creating a vocal solo much like a clarinetist or trumpeter might invent a solo on his instrument. Fitzgerald, a 1979 Kennedy Center Honoree, made about 200 jazz records, whose collective sales would number about 40 million.
Innovators & Pioneers, Music Legends, Jazz, Art Venues, Music

Ma Rainey

Arts Days: April 26, 1886: Mother of the Blues
She was born Gertrude Malissa Nix Pridgett Rainey, but it was as Ma Rainey that this Southern singer became one of the first professional blues singers ever, and certainly one of the first to make records. She started performing in vaudeville when she was still a teenager. Once, hearing another girl sing a sad song, Ma Rainey noticed how attentively the audience listened, so she began developing an emotional, world-weary singing style, a style she claims to have dubbed “blues.”

People loved it, and Rainey sang live at shows for decades before she recorded for Paramount Records. From 1923 to 1928, Rainey recorded about 100 songs, including “Jelly Bean Blues” and “Bo Weevil Blues,” a song partly about the beetle that destroyed cotton crops across the U.S. in the 1920s, but also about disappointments in love. In fact, many blues songs sung by Ma Rainey and other blues artists to this day have double meanings.
Blues, Music, Music Legends

Billie Holiday

Arts Days: April 07, 1915: The Lady Sang the Blues
Although vocally untrained, Billie Holiday possessed talents and characteristics far more critical to singing the blues—a natural ear for music and a life of turmoil and sorrow. Holiday changed the art of pop vocals with her smoky voice, unique word phrasing, and dramatic interpretations of classic songs. Her poignant renditions of love songs and ballads are considered classic; no one “carried a torch” like Holiday.

Discovered singing in a jazz club in the early 1930s, Holiday soon signed a record deal and began collaborations with musicians like Artie Shaw and Lester Young (who nicknamed her “Lady Day”). She shattered racial barriers by being the first black woman to front a big band composed of white musicians and by singing about lynching in the haunting “Strange Fruit.” Songs Holiday wrote with others, like “God Bless the Child,” rocketed to the top of the charts. Sadly, Holiday’s struggles with drug and alcohol addiction led to her untimely death at the age of 44.
Art Venues, Blues, Jazz, Music, Music Legends, Popular Culture

Muddy Waters

Arts Days: April 04, 1915: The Father of Chicago Blues
While growing up in the deep South, Muddy Waters dabbled with the harmonica, but it was when he started learning to play the blues guitar that things really got cooking. Waters basically invented a whole new type of blues music, called “Chicago Blues” named for the city where he made his biggest mark. His unique performing style combined country blues with rock and roll electrification. He sang about hard times in the Mississippi Delta, heartbreak, and other subjects.

The “bottleneck” style of guitar playing that Waters mastered was more commonly known as slide guitar. It was dubbed so because Waters slid a piece of glass (sometimes from a bottle, hence the name) or other material against the strings. This created a whole new range of sounds for Waters. In Waters’ case, this sort of playing almost made the instrument an extension of his singing voice, complete with growls, slurs, and screeches.
Blues, America, Musical Instruments, Music Legends, Music

Supremes

Arts Days: April 08, 1964: Talent Times Three
When another girl group, the Marvelettes, passed over the chance to record “Where Did Our Love Go,” the Supremes—Diana Ross, Mary Wilson, and Florence Ballard, three teenagers from the gritty streets of Detroit—got their big break. A few months after they recorded the tune, the song hit the top of the U.S. pop and rhythm and blues charts.

That’s how the most popular girl group in history kicked off their hit-generating prowess: “Baby Love,” “Come See About Me,” “Stop! In the Name of Love,” and others were not far behind. The Supremes’ star was on the rise. Since then, every all-female group owes a debt to the Supremes.
Music, Popular Culture, Rock & Roll

Marian Anderson

Arts Days: April 09, 1939: Let Freedom Sing

For more than 40 years, Marian Anderson’s supple contralto voice—lower than an alto or soprano—thrilled audiences the world over. She preferred singing in recitals to opera performance, though many opera companies tried to entice her to sing with them. However, it was the Daughters of the American Revolution’s refusal to let Anderson sing at Constitution Hall simply because of her race that set the stage for perhaps the most important concert of her career.

With an assist from President Franklin Roosevelt and Eleanor Roosevelt, Anderson gave a spellbinding public performance on the steps of the Lincoln Memorial. Some 75,000 people listened live in the chilly spring air, and millions more heard Anderson sing on the radio. In 1955, reconsidering her stance on singing in operas, she became the first African American to perform at New York’s Metropolitan Opera. Her grace and beauty—to say nothing of that remarkable voice—made Marian Anderson an important symbol of the Civil Rights Movement.

For more on this historic concert, listen to Of Thee We Sing: Marian Anderson and the Music of the Early Civil Rights Movement.


America, Music, Opera, Controversial

Harold Prince

Arts Days: January 30, 1928: Theater Royalty is Born
Harold Prince, American theater producer and director, was associated with many of the best known Broadway musicals of the 20th century.

Born on this day in New York, NY, Prince landed his first job out of college in the office of legendary theater mogul George Abbott. Under Abbott's guidance, he learned the craft of creating original musical theater productions.

Prince co-produced a number of popular musicals in the 1950s and 60s including The Pajama Game, Damn Yankees, West Side Story, Fiddler on the Roof, and Cabaret. In the 1970s, he met composer Stephen Sondheim and almost exclusively produced all of Sondheim's musicals.

In 1976, Prince directed his first of many operas for the New York City Opera. Since then he has directed two of Andrew Lloyd Webber's musicals, Evita and The Phantom of the Opera. Prince received 21 Tony Awards, more than any other individual, for his work as both a producer and director.
Broadway, Innovators & Pioneers, Musicals, Theater

Kennedy Center Concert Hall

Video: The Kennedy Center Concert Hall
Conductor Emil de Cou leads an expedition to the Kennedy Center's grand Concert Hall
Art Venues, Music, Orchestra, Science

ARTSEDGE logo

Educators: Educators Portal
Standards-based instructional resources, how-to's, guides and other supports for teaching with the arts
Education, Dance, Music, Theater, Visual Arts

A World of Music

Audio Series: A World of Music
We’re off on a Musical Tour of Europe! The invention of the orchestra hundreds of years ago meant bigger musical possibilities, and composers all across Europe were inspired to try their hand at pushing classical music to new limits
Composers, Controversial, Europe, Folklore, Geography, History, Musical Instruments, Music, Orchestra

Audio Series: Listen Up! Music Is a Language
Did you know music has a lot to say? Without any words at all, music is a language that anyone can understand.
Composers, Musical Instruments, Music, Orchestra, Language

Reach For The Moon: John F. Kennedy’s Vision and Courage

Audio Series: NSO Young People's Concert - Reach For The Moon
Just like President Kennedy had a vision for America, composers have visions of how they want their music to sound. For some, their musical mission is to explore a galaxy of stars and planets, moon shots, space walks, and galactic battles!
Composers, History, Musical Instruments, Music, Orchestra, Technology, Space, Presidents

Bernstein! Inside the Music

Multimedia Series: NSO Young People's Concert - Bernstein! Inside the Music
As an equally-famous conductor, composer, and musician, Leonard Bernstein not only conducted music by the world’s greatest composers, he also wrote many important works for orchestras.
Composers, History, Musical Instruments, Music, Orchestra, Music Legends

NSO YPC Exploring Extremes

Audio Series: Exploring Extremes: Music to the Max!
Join the NSO to explore music’s extremes—from high notes and low notes to how big or small instruments (and their sounds!) can be. Plus, get to know the “extremely talented” violin, and discover different ways of listening to music.
Composers, Musical Instruments, Music, Orchestra

Blue Note

Audio Series: Celebrating Blue Note
This audio series celebrates the history and style of Blue Note Records on its 75th anniversary. Narrated by Susan Stamberg for the Kennedy Center.
Jazz, Music, Music Legends

Nobody's Perfect

Video Series: Nobody's Perfect: Page to Stage
Explore the creation of the Kennedy Center's Theater for Young Audiences and VSA Arts production of Nobody's Perfect, including how American Sign Language was incorporated into a lively musical (ASL captioning is included in every episode in this series).
Jobs in the Arts, Language, Literature, Theater, Young Artists, Backstage, Musicals, Accessibility

Book stack

Audio Series: Page to Stage
Taking a musical from words on a page to songs on a stage: in this series, follow along as talented playwrights, designers and directors at The John F. Kennedy Center for the Performing Arts transform classic works of literature into original theatrical productions.
Literature, Theater, Jobs in the Arts, Music

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